Their world includes characters played by Jason Schwartzman ("Rushmore"), Mena Suvari ("American Beauty"), Patrick Fugit ("Almost Famous") and Brittany Murphy ("8 Mile" and "Just Married"). Uncanny, in a way, how they all bring along some of the aura of their famous earlier characters, as if this were a doc about Hollywood youth gone wrong.

Murphy made quite an impact at the Independent Spirit Awards by being unable to master the concept of reading the five nominees before opening the envelope, despite two helpful visits from the stage manager and lots of suggestions from the audience, but with Murphy, you always kind of wonder if she doesn't know exactly what she's doing.

Here she plays Nikki, Cook's girlfriend, which is the kind of situation you end up in when you need a lot of drugs for not a lot of money. She depends on Ross (Schwartzman) to chauffeur her everywhere in his desperately ill Volvo, sometimes taking him off on long missions through the city. These journeys have a queasy undertone since we know (although Ross sometimes forgets) that he has left his own current stripper girlfriend handcuffed to a bed. April (Chloe Hunter), the handcuffed girlfriend, is all the more furious because she realizes Ross is not sadistic but merely confused and absentminded.

The movie plays like a dark screwball comedy in which people run in and out of doors, get involved with mistaken identities, and desperately try to keep all their plates in the air. The film's charm, which is admittedly an acquired and elusive taste, comes from the fact that "Spun" does not romanticize its characters, does not enlarge or dramatize them, but seems to shake its head incredulously as these screw-ups persist in ruinous and insane behavior.

Leguizamo is fearless when it comes to depictions of sexual conduct. You may recall him as the transvestite Miss Chi-Chi Rodriguez in "To Wong Foo, Thanks for Everything! Julie Newmar" (1995), or more probably as the energetic Toulouse Lautrec in "Moulin Rouge," and he toured in his stage show "John Leguizamo's Sexaholixs." In "Spun" he demonstrates that although black socks have often played important roles in erotic films, there are still frontiers to be explored. What I have always enjoyed about him is the joy and abandon with which he approaches the right kind of role, as if it is play, not work. Here his energy inspires the others, causing even Fugit's slothful Frisbee to stir.

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